Don letts ryuichi sakamoto b2 unit
#Don letts ryuichi sakamoto b2 unit free
It was whilst studying at Tokyo’s University of Art that he became versed in the avant-garde and free improvisation, and also discovered the music of Claude Debussy, which has proved to be an enduring influence on his piano playing. Growing up amidst the post-war Westernization of Japan, Sakamoto’s first musical loves were The Beatles, alongside Bach and Chopin. His musical and career boundaries are decidedly on a map of his own making. Here is a musician who is also an actor, soundtrack composer, producer environmental activist, model, a prolific collaborator and who could release back-to-back albums of surreal, easy-listening inflected pop music next to a dissonant orchestral lament on famine. Such reactions are hardly surprising given Sakamoto’s expansive fan-base, accumulated through a vast discography and a 40-year career, which has covered innumerable styles and sought to actively defy genre-specifics. For some Sakamoto’s unconventional engagement with the piano was a sublime exercise in subtlety, texture and atmosphere, and for others a supposed “non-event”- alarming in its absence of the Satie-like melodies that are commonly expected of him. Whilst adventurous music can often have a polarizing effect, the emails and feedback St John Sessions received following Ryuichi Sakamoto and Taylor Deupree’s performance at St John at Hackney church in February 2014 were amusingly pronounced.
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From the synth funk mastery of Yellow Magic Orchestra to minimal collaborations with Alva Noto, James Hammond unpicks ten milestones from the extraordinary career of Ryuichi Sakamoto.